Jonathan Peter Kenny

Jonathan Peter Kenny is from Liverpool and studied at the University of Exeter and Guildhall School of Music and Drama. He is a founder of the Old Street Band.

He has performed a wide range of music from Monteverdi to the present day, including 14 Handel operas, 13 oratorios and numerous premieres for composers such as Michael Nyman, Jonathan Dove, Pawel Mykietyn, Fabio Vacchi, Deirdre Gribbin, Thomas Ades and Roxanna Panufnik. He has sung for the Royal Opera Covent Garden, Glyndebourne Festival Opera, English National Opera, English Touring Opera, Teatro Comunale di Bologna, Royal Opera Copenhagen, Salzburg Festival, Halle Handel Festival, Badischestaatsteater Karlsruhe, BBC Proms, Glimmerglass Festival NY, Teatr Wielki Warsaw, Opera du Rhin and in Australia and Japan.

Jonathan has performed with Academy of Ancient Music, Orchestra of the Age of Enlightenment, Royal Liverpool Philharmonic Orchestra, Royal Scottish National Orchestra, English Baroque Soloists, Gabrieli Consort, Ulster Orchestra under such conductors as Sir John Eliot Gardiner, Richard Hickox, David Parry, Ivan Fischer, Thierry Fischer, Jane Glover, Andrew Parrott, Lars Ulrik Mortensen, Ivor Bolton, Paul McCreesh, Harry Bicket. Recordings include Mattheus-Passion (Miller/Goodwin); Agrippina (Gardiner); Buxtehude/Cantatas (Immerseel); La conversione di Clodoveo (Gester); Israel in Babylon (Fontaine).

Jonathan is baroque specialist at the Royal College of Music International Opera School and prepared singers for Handel’s Poro, Atalanta, Alessandro, Il pastor fido and Rodelinda, as well as Monteverdi’s L’incoronazione di Poppea with Michael Rosewell whom he also assisted on Janacek’s The Cunning Little Vixen. For Trinity-Laban, Jonathan worked on Giustino and Rinaldo.

After many years leading his own ensembles, Jonathan made his operatic conducting debut in 2005 with a staging of Pergolesi’s Stabat Mater on Valentia Island for artist Dorothy Cross and OTC Dublin. The film was shown at the Irish Museum of Modern Art and in Los Angeles. In 2007 he conducted a new production of Handel’s Teseo for ETO, touring the UK, and in 2009 a new production of Flavio which opened to great enthusiasm as part of the HANDELFEST marking the 250th anniversary of Handel’s death. From these performances, a new period instrument orchestra, the Old Street Band, was formed, making a highly acclaimed debut in autumn 2011 in a new production of Xerxes. Other appearances include a staging of Carissimi’s Jephte for the National Churches Trust; Monteverdi: 1610 and all that at the RCM and a highly praised The Duchess of Malfi Webster/Gesualdo at the Royal and Derngate Theatre Northampton.